MAD BUTCHER presents a new edition of the LP for its Classics series. At the same time, this album is the last with the founding members Dave Bateman (guitar), Mark Hambly (bass) and Shane Baldwin (drums). Lia does her thing exceptionally well and also ensures a real rock tube feeling with the THE SWEET cover "Teenage Rampage". Otherwise, the songs are rockier, but also more varied than on their debut. Lia sings more multifaceted to Beki and the band has arranged really good songs with songs like "New blood", "Take it or leave it", "Rebels&Kings", which go powerfully into the ear and represent a significant increase to the earlier songs, because they are just more sophisticated, but no less straight and melodic. (Source:underdog-fanzine.de)

Live album on 2 LP's the cult UK Punk /Oi! Band as the title says in Holland Recorded in 1986

Always more incentive than demand, more liberation than limitation, Turnstile reach out their hand again in 2018 with »Time & Space«. Recorded with producer Will Yip at Studio 4 in Conshohocken, Pennsylvania, "Time & Space" marks Turnstile's Roadrunner debut and features a band with a tremendous amount of heart that doesn't shy away from hardcore's biggest tropes.

1988 original LP by the original punk band from London

There are really no big words to lose about the VIBRATORS: active for about 30 years, still very regularly on The Road and consistently release good albums, the band is an institution and the good conscience of the UK punk rock heritage. The vinyl version of Energize is released with a completely new cover artwork. 16 dry rocking songs between 77s UK punk, powerpop and pub rock roll. Indispensable! (Source:coretexrecords.com)

Episode XIII is the British fun punk's first album in eight years. In this case, the title says it all, because their latest work is their 13th studio album.

Repress on Radiation Records. The legendary Belfast punk band The Outcasts were formed in 1977. After signing with local punk label Good Vibrations for the single "Just Another Teenage Rebel", their popularity increased through radio airplay, paving the way for their debut LP "Self Conscious Over You". Full of teenage angst and romantic fixations, there is a nod to social issues on “The Cops Are Comin’,” but the album is primarily concerned with the torments and ecstasies of teenage life. It captures the band at their rawest and unfiltered, with jagged edges galore and hints of greater grandeur - it's worth a revisit for any fan of Belfast punk.

Repress of the Antifascist-Oi!'s first album, originally released in 1984, Pioneers from Cardiff. 15 songs, each a killer. A classic that belongs in every well-stocked record collection

The Last Resort have burned into their memories with hymns such as "Violence In Our Minds", even though the band had to disband for the first time in their early days because of the increasing violence at their concerts. Here's the pioneering 1980s debut of the Oi/Street Punk heroes.

1978 original LP! The Flys were an imaginative four-piece band that existed in this underworld on the fringes of new wave—known for lack of a better term as power pop. At their best, The Flys combined great lead guitar lines, a lush sound, catchy melodies and original musical ideas. The title track is the best example with some distinctive guitar and vocal rhythms.

The Crack was founded in 1982 and did not release their debut album until 1989. These British punks were often used with the Oi! Scene in the mid-80s along with Cockney called Rejects and The Business, but had more in common with the melodic punk stylings of 999 and mod groups like The Jam or Secret Affair. With a glowing wall of guitars and biting melodies, from the classic album opener 'My World' to the raw closer 'The Giddy House', The Crack delivers ten fantastic original songs that are firmly rooted in 1980s British anthem punk but also have a pop corner.

Originally released on Link in 1988, it was the last album in the classic line-up (including Mark Brennan on bass and the returning original guitarist Steve Kent on lead guitar). 12 rock singalong-smashers with British-certified pub and stadium credentials, including such massive street rock earworms as Do a runner and Never say never. Comes in the original artwork with a full-color photo-insert, which contains previously unpublished pictures of the band, in 500 edition

The Business was formed during this time by Micky Fitz on vocals, Steve Kent on guitar, Martin Smith on bass and Nick Cunningham on drums. The most surprising aspect of this period is the contrast between the usual street punk sound of some songs that sound closer to the mod revival bands than other punk-oi! bands of that time. The A side contains 7-inch tracks that were officially released (on singles and compilation LPs), while the B side contains the band's demo recordings. This release includes an inner sleeve with information compiled from all of the recording sessions on this album, as well as previously unreleased footage.

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This vinyl re-release is based on a CD released in 2002 and contains recordings from the Underhill Studio sessions, the Fair Deal Studio sessions and the Mystery Studio sessions. Among the songs are the RUTS classics “Babylon’s burning” (four versions), “Society”, “Something that I said”, “Criminal minds” and “In a rut”. It should be clear that you can't be without RUTS, who combined punk and dub more consistently than THE CLASH. *Excerpt from review OX fanzine

Daily Records reissue of Red Alert's debut album, a true British street punk classic originally released by No Future Records in 1983. The cover is slightly different from the first edition and the inlay contains additional, previously unpublished photos, all from the same photo shoot used for the original design. Pioneering Oi! street punk classic.

Ramones is the debut album by the US punk band of the same name. It was first released on April 23, 1976 on the Sire Records label. With its fast, minimalist music, it is considered groundbreaking in the development of punk rock. With their debut album, the band established their reputation as a prototypical “three-chord garage band” with ironic, simply constructed songs played at high tempo. When the album was released, the majority of critics reacted with rejection or incomprehension. Its musical significance has only been recognized since the late 1990s. In 2001 the album was remastered by the record company Rhino Records. Since then, the cult album has been awarded several times with high rankings in music press best lists.

Raw and energetic collection of demos by the Ramones from the recording sessions of their 6th studio album Pleasant Dreams. Pleasant Demos features Ramones hits in their very early stages of development, along with a number of unreleased songs that will surprise even the most fanatical and savvy Ramones fan. A nice addition to any collection from one of the best punk rock bands.

Leave Home is the Ramones' second music album. It was first published in January 1977 and only contains pieces of music that were already part of the group's repertoire before the release of the 1976 debut album Ramones. The album title alludes to the fact that at the time of the album's release the band had been able to increase their popularity beyond their hometown of New York through intensive touring. Leave Home is considered by critics and fans - just like the rest of the first four studio albums - to be " Classics” in the Ramones’ work.

Great compilation of the early singles (also the B-sides!), among others the debut single released in 1982 on No Future until the 1985 releases on Jungle and Trapper Records. We're really only dealing with the really cool early stuff, including the UK indie chart hits "Banned From The Pubs", "Run Like Hell", "Zombie Creeping Flesh", "Blown Out Again", "Wimpeez" and "Keys Of The City". Just as mandatory as the Newtown Neurotics LP! * Radiation